(The ACX spec is peaks at -3dB or less for some strange reason.) Then a limiter (no "regular compression") is used to get the peaks in-spec and that has very-little effect on the overall RMS or average level. The RMS is adjusted to the middle of the spec and that almost always pushes peaks over 0dB. Or there are compressors that can directly boost the quiet parts.Īnd people sometimes use the attack & decay times for an "effect" without necessarily trying to get "loudness".īTW - This is a different situation but Audacity has a recommended procedure for ACX audiobooks which have strict peak & RMS requirements. (Short-term peaks aren't perceived as loud as the same peaks sustained over a period of time.) In practice we usually "push down" the loud parts (or the short-term peaks in the case of a limiter) and then we use make-up gain to make everything loud and bring-up the overall-average loudness. Compression reduces (compresses) the dynamic range (or "dynamic contrast") by making loud parts quieter or quiet parts louder. It is an amazing leveler.Īs far as I know a compressor doesn't really compress, it just turns it down, which sounds pretty auto-levelly to me. Its a compressor with a separate leveler that alot of folks seem to like.įor free there are Sonic Anomaly Trileveler2 and Vola2 plugins.Ĭheck our Soundradix POWAIR. Also iZotope Nectar has an effective leveler. You do need to understand how the four key parameters (threshold, attack, release, and hold) function effectively to block. Applying a noise gate to a recording in adobe audition is straightforward, just add a Dynamics effect and tick the AutoGate option. That said, Melodyne has a useful leveling feature. Using a noise gate plugin helps enhance your podcast recording by reducing unwanted sounds. I just installed it and I find these tools to be excellent. Why would you stop using ERA voice leveler? They are giving the ERA bundle away for free now. Soooo, does anyone here know of any good 3rd-party tools (unless something is built into Reaper I haven't found) that are specifically designed for this? But it does NOT work well when there are two voices with vastly different volumes. I have Waves Vocal Rider, which works well for a single voice that has volume variations. But it seems crazy to spend $1,100 bucks just for that. RX Advanced has RX Leveler (not in RX Standard). For example, Adobe Audition has the Speech Volume Leveler. Get the most out of your mix, make any track sound great on all streaming platforms. Some programs/services have built-in tools. Prevent your mix sounding crushed and unprofessional. So I'm looking for something to replace it.Ĭompressors tend to lend too heavy a hand for this. But now the company is dropping the entire ERA line of tools. Up until recently, I've used an excellent tool designed specifically for this, called the Accusonus ERA VoiceLeveler. Invariably one of the 2 people is significantly louder than the other. I edit a regular podcast for a show with two speakers recorded on Zoom. Before jumping to the "use a compressor" solution, let me clarify what my goal is.
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